МУЗЫКАЛЬНАЯ ЭСТЕТИКА ПОСТМОДЕРНИЗМА В МЕЖДИСЦИПЛИНАРНОЙ МАТРИЦЕ КУЛЬТУРЫ ХХ ВЕКА
Аннотация
Анализируя музыкальную эстетику второй половины ХХ века, автор показывает пути обращения музыки к широкому культурному контексту: живописи, театру, кинематографу, литературе. Рассматривая основные художественные приемы создания музыкальной композиции (интертекстуальность, цитирование и квази-цитирование, палимпсест), автор фиксирует новую тенденцию к синтезу искусств в русле постмодернистской модификации вагнеровской теории Gesamtkunstwerk’a. Исследуя сложную интеллектуальную связь музыки и современной науки, автор также находит прямую корреляцию между открытиями в сфере математики, логики, физики и развитием таких направлений, как стохастическая, алгоритмическая, электронная музыка. Проводя параллель между философскими методами познания (структурализм) и музыкальными техниками (сериализм), научными моделями («ризома») и мелодическими рисунками («арборесценции»), автор показывает близость музыкальной эстетики к радикальным экспериментам ХХ века.
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