ИСТОРИОГРАФИЧЕСКОЕ КИНО ФЕДЕРИКО ФЕЛЛИНИ И КИНОМИФОЛОГИЯ РИМА
Аннотация
В статье обсуждаются принципы изображение истории в фильмах Федерико Феллини «Казанова», «Тоби Даммит», «Рим» и др. Кинокартины Феллини — это продукты его грез, в том числе и его грез об историческом прошлом. Творчество итальянского режиссера всегда обращено к современности. Такой вид кинонарратива в статье определяется как «историографический» — художественное переосмысление истории создателем собственного текстовидения. Автор рассматривает феллиниевскую киномифологию «вечного города». Образ Рима у Феллини полисемантичен: многогранный и многоликий, столичный и провинциальный, амурный и гламурный, беззаботный и безработный, исторический и истерический, одновременно старый и новый, свой и чужой.
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