НЕСКОЛЬКО ЗАМЕЧАНИЙ О «ВООРУЖЕННОМ» КИНЕМАТОГРАФЕ ФЕДЕРИКО ФЕЛЛИНИ
Аннотация
Мотив оружия и стрельбы присутствует во многих произведениях Федерико Феллини — от самого первого фильма «Огни варьете» (1950, созданного совместно с А. Латтуадой), до самого последнего — «Голос луны», поставленного в 1990 году. В свои картины итальянский режиссер включает пальбу из пистолетов, ружей, автоматов, в его фильмах есть даже тяжелая артиллерия, а в финале кинопритчи «И корабль плывет» так пушки с крейсера палят, что эта канонада знаменует конец спокойного старого мира и начало Первой мировой войны, начало новой эпохи. Большинство «вооруженных» эпизодов в феллиниевских картинах совершенно неожиданные и, казалось бы, неуместные. Вероятно, режиссер «задействует» огнестрельное оружие с целью усилить эстетический эффект сцены. Порой оружие в его фильмах — это элемент циркачества, игры, праздника, оружие отражает и подчеркивает карнавальный дух феллиниеской музы. Как те огромные игрушечные пугачи и пушки, которые являются реквизитом клоунов на арене цирка (к/ф «Клоуны», 1970). Пожалуй, можно говорить об эстетике arma varia у Феллини: включение режиссером в свои фильмы оружия и сцен со стрельбой, взрывами, хлопушками и фейерверками служит тому, чтобы разорвать или, напротив, усилить карнавальную атмосферу произведения. И это является одним из важных элементов эстетики кинотворчества Феллини.
Ключевые слова: Федерико Феллини, Альберто Латтуада, кинематограф, режиссер, «Сеанс», arma, оружие, пистолеты, пушки, выстрелы, фейерверк, цирк, безоружный, декорации, искусство
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